Showing posts with label Ambient. Show all posts
Showing posts with label Ambient. Show all posts

Fennesz - Endless Summer

Fennesz - Endless Summer 2001, Wien 


About Fennesz:

Christian Fennesz (born 25 December 1962) is an Austrian musician who uses white noise to create his electronic compositions.

He lives and works in Vienna and Paris, and is often credited on albums simply as Fennesz.

In the late 1980s he formed a band called Maische, with a 'noise meets pop' approach similar to bands such as Sonic Youth and My Bloody Valentine. Despite the local popularity of the group, Fennesz was uncomfortable with the band setup and left.

Afterwards, he became involved in the Viennese techno scene of the early 1990s. From there on, he began to collect his own equipment and produce music based loosely around guitar and synthesizer sounds.

His solo compositions emphasize guitar texture and the burying of pop melodies under layers of effects.

Fennesz had ties with the Vienna-based label Mego, and is now signed to Touch in the UK.
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Fennesz - Black Sea

Fennesz - Black Sea 2010


All tracks composed, performed, record and mixed at Amann Studios/Vienna and c-street/Paris except "Glide" which was recorded live in Paris and then edited and mixed at Amman Studios. Anthony Pateras's prepared piano on "The Colour of Three" was recorded at Amman Studios in 2005.

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Fennesz - Szampler

Fennesz - Szampler 2010


"A collection of samples I made for my old Ensoniq EPS-16 Plus and ASR-10 samplers that I used between 1989 and 1996." – Fennesz, 7 Jan 2010.


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Edward Artemiev - Solaris

Edward Artemiev - Solaris Music From The Motion Pictures
1990, Moscow


Born 30 November 1937 in Novosibirsk. Artemiev is a Russian composer of electronic music and film scores. Probably best known for his music in the Soviet era films by Andrei Tarkovsky, Nikita Mikhalkov and Andrei Konchalovsky, he has been composing since the 1960s.
In the latter part of the 1950’s, the engineer and mathematician Yevgeniy Murzin had a problem. He had just realized his life long dream of constructing music synthesizer (then called "ANS") but knew no musician with sufficient imagination to explore its vast potential. In 1960, upon meeting 22-year-old Edward Artemyev, a recent graduate of the Moscow conservatoire, Murzin immediately felt he had found what he was searching for in the young composer, who embraced the new instrument and quickly mastered its many subtleties. Artemyev has since composed numerous works varying from electronic avant-garde to film music. He is probably best known for his collaboration with A. Tarkovskiy composing music for his films: "SOLARIS" in 1972, "THE MIRROR" in 1975 and "STALKER" in 1979; and with such filmmakers as Andrei Mikhalkov-Kontchalovskiy and Nikita Mikhalkov.

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